In Florida, It’s Absolutely Great to Be a Cracker

Posted on April 15, 2014 by Joy Wallace Dickinson

Before we get to the subject of Crackers, welcome to the first Blog Hop sponsored by the Florida Chapter of the Mystery Writers of America. We’re exploring some of the crazy and interesting idiosyncrasies of life in the Sunshine State. Read on and click the links below to meet more MWA members and to comment, share your favorite stories, and enter our contest to win a Kindle Paperwhite.

This Orlando postcard from the 1890s was captioned “The Cracker in Town.”

In a lot of places, you might be slugged for calling someone a cracker, if you mean a bigoted, “redneck” Southern white. But in Florida, it’s great to be a Cracker—so much so that we capitalize it.

We laud Cracker architecture and Cracker cuisine. We have novels called Cracker westerns and the Florida Cracker Horse Association. We write obituaries in which folks say something like, “Daddy was a fourth-generation Cracker, and so proud of it.”

All this embodies a heritage that’s elusive even in parts of Florida. What is South Florida on the map is North Florida in terms of culture, so quintessential Crackerdom may be elusive, say, south of Vero Beach.

Historian Dana Ste. Claire literally wrote the book on the subject: Cracker: The Cracker Culture in Florida History (University of Florida Press, 2006). He defines a Cracker as “a self-reliant, independent, and tenacious settler,” often of Celtic stock, who “valued independence and a restraint-free life over material prosperity.”

The term goes way back. In Shakespeare’s England, it meant a braggart or a big talker, and by the 1760s it was used in the Southern colonies to refer to Scotch-Irish frontiersmen.

The rough-and-ready qualities of these folks proved an asset on the Florida frontier, where they had to make do in a subtropical wilderness without indoor plumbing, electricity, window screens, bug spray, motorized vehicles, or even towns.

But some did have cattle, and many were attracted to the lifestyle of the cow hunter (in Florida history, it’s never “cowboy”).

To this day, many folks think Crackers got their name because of one of the techniques cow hunters used to herd cattle: “cracking” long, braided, rawhide whips in the air. “Cracker cowmen developed cattle-raising into Florida’s first industry,” Ste. Claire writes. Some did very well at it. As time passed, you could sure still be a Cracker and have money in the bank.

By the early 20th century, “Cracker” had become a regionally affectionate term, and the contributions of the folks called Crackers have been increasingly celebrated in Florida as a distinct and valuable heritage.

Part of that heritage includes good eating. As the fine Florida novelist Janis Owens writes in her cookbook, The Cracker Kitchen (Scribner, 2009), one of the finest compliments “any Cracker can get, male or female, rich or poor, is that they set a fine table.”

Recipes include Mama’s Cornbread, Green Bean Bundles, Sweet Potato Pie, Carrot and Raisin Salad — just like Owens’ mother always ordered at Morrison’s cafeteria — plus Buttermilk Pie and lots more.

The Florida Humanities Council offers a Cracker-themed music CD, in the council’s online store (www.flahum.org/Support/OnSaleNow)

“Cracker” remains a word to be used with care, however, as historian Ste. Claire notes. Abraham Lincoln once said that no matter how much you respect the common man, never call a man common to his face, and that’s probably still good advice when it comes to Florida Crackers.

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Victoria Allman, Gator Bites, http://www.victoriaallman.com/blog

Miriam Auerbach, Bonkers in Boca, http://www.miriamauerbach.com/bonkers-in-boca

Gregg E. Brickman, Crazy South Florida—How it got to be home, http://www.GreggEBrickman.com/blog.html

Diane Capri, Fishnado!, http://www.dianecapri.com/blog

Nancy J. Cohen, Characters Too Weird to Be True, http://nancyjcohen.wordpress.com

Joan Lipinsky Cochran, The Million Dollar Squatter: Crazy in the Land of Coconuts and Bagels, http://www.joanlipinskycochran.com/blog.htm?post=952677

jd daniels He Did What? http://www.live-from-jd.com

Dallas Gorhman, http://www.DallasGorham.com

Linda Gordon Hengerer Crazy Treasure on the Treasure Coast, http://footballfoodandfiction.blogspot.com/

Vicki Landis, Eavesdropping 101, http://www.victorialandis.com

Sandy Parks, Keep your eyes to the Florida skies, http://www.sandyparks.wordpress.com

Neil Plakcy, Moscow on the Intracoastal http://www.mahubooks.blogspot.com/

Johnny Ray Utilizing Google Plus Air to Facilitate Author Interviews, http://www.sirjohn.us

Joanna Campbell Slan, Honey, You’ll Never Guess What Rolled Up in the Surf http://www.joannaslan.blogspot.com

As April dawns, the tale of Palmetto Pete returns

Posted on April 1, 2014 by Joy Wallace Dickinson

A vintage view of Lake Eola Park

It’s April 1, and I’ve just returned from a walk at Orlando’s Lake Eola Park, which offers excellent people- and creature-watching. Folks stroll along with anything from a pomeranian to a python. But on this very April day a few years ago,I stumbled on the strangest pet story I’ve ever heard from Central Florida’s past.

It was just about twilight when I found myself walking at the park behind a stooped, white-haired man with a long beard. Behind him on the pavement were what first appeared to be five flat, dark, oval stones. Ack! They moved. They looked like palmetto bugs, our Florida roaches. Impossible. The man turned and fixed me with a gaze that would melt butter.

“Whatever you do,” he said in a low voice, “be careful where you step.” I could only stare. When he stopped, the line of dark shapes behind him stopped, too.

Thanks to ‘Anonymous Cow,’ Wikimedia Commons

“You see,” he said, “these are true descendants of Palmetto Pete, the biggest bug ever to come out of Florida. They don’t hatch ’em like Pete any more. He was a star. Palmetto Pete’s Scrambling Circus, Pappy called it. People loved it.”

“But, roaches?” I said, thinking of those creatures that plague the recesses of my old kitchen.

“See, this was back in the 1920s,” he went on. “People were flocking into Orlando like bees to honey.” Or like roaches, I thought.

Prof. Heckler entertained New Yorkers in the 1920s. (Courtesy sideshowworld.com)

“My pappy had heard about these flea circuses at fairs up north. He figured we had almost as many of them palmetto bugs around our yard as an old dog has fleas. They were a whole lot bigger, too, and strong!

“Pappy hitched those critters up to a tiny wagon they pulled around a cute little circus arena he built for them. They weren’t all smart like Pete , of course. Pappy knew Pete was special the minute he saw that bug sauntering across our kitchen floor. My mammy was just about to give Pete a smack with a rolled-up newspaper, but Pappy said, no ma’am, that bug’s gonna make us some money.”

I shivered. “So what happened?”

Could this be Pete? Guess not. It’s a ‘sea roach,’ says FloridaMemory.com (found in 1984)

“Oh, Pete was a wonder,” the old man went on. “Could catch a tiny trapeze, ride on the back of a little dog; he could even fly. Pappy was making money hand over fist with his circus. There was just one problem: That bug was bad to drink. This was during Prohibition, and Pete began lappin’ up that moonshine. That roach just became a disgrace. He started falling off that tiny dog’s back, and talking real rude to the lady bugs. One sad day Pappy found him on his back with his legs up in the air.”

A tear dropped onto his worn jeans. And then the old man gathered himself up to walk away, but before he did, he leaned over and whispered one more thing to me.

“Dearie,” he said, “Happy April Fool’s Day to you.” I send the same greeting to you, gentle readers. April 1 is a fine time for foolery. But, we must admit, from what we know of Florida, big Pete might really have existed.

P.S. I looked up ways to battle roaches in Florida, hoping to add something useful to this tale, but found so many online that I opted for this instead: Baton Rouge blues master Silas Hogan’s version of “I Got Rats and Roaches in My Kitchen.” Not Florida, but close enough. http://bit.ly/1jUoTtJ

In the pines of Florida, Christmas everlasting

Posted on December 25, 2013 by Joy Wallace Dickinson

The perpetual peace garden at Christmas, December 2013.

Way back during the Seminole Wars, a peaceful place in the Central Florida pines became Christmas, every day. Long-ago soldiers named it in 1837, but we owe its role as a North Pole of the South to the history and work of the Tucker family.

We know the story’s beginning thanks to Capt. Nathan S. Jarvis, a U.S. Army surgeon who kept a journal about his war adventures.

Capt. Jarvis arrived at St. Augustine by steamboat in June 1837 and, by mid-December, was with troops deep in the interior of Florida. They trudged past a deserted Seminole town, crossed the Econlockhatchee River, and on Dec. 25, reached a pine barren on what’s now Christmas Creek in east Orange County.

Fort Christmas Historical Park in east Orange County, Florida, includes a re-creation of the original 1837 structure.

The soldiers built a stockade made of upright 18-foot pine logs, sharpened at the top, and named the place Fort Christmas. In just a few days, most of the troops were ordered to move deeper into Florida, leaving the fort and the area largely deserted until about 1860, when John R.A. Tucker and his family settled nearby.

The only means of travel was by oxcart or on horseback, and the Tucker home became a stopping-place for travelers. After the community gained a post office in 1892, a member of the Tucker family was in charge for much of the next century.

In 1916, Lizzie Tucker got the job, taking over from her husband, Drew. In 1932, the mantel passed to their daughter-in-law Juanita, who stayed on the job for more than 40 years. Juanita Tucker was 101 when she died in 2008, then the oldest resident of Christmas and the one who had done the most to put it on the map.

Juanita Tucker at the Christmas, Florida, post office in the 1940s. (Florida State Archives)

“She got the community together. She was good at that,” her son Cecil A. Tucker II said after her death. “Anytime that people had a need, she would find some way or someone to help out.”

The old Christmas post office (the same building shown in the picture of Juanita Tucker at the window).

“The post office was always the one place people could count on to get information and help,” Juanita Tucker once said. “That’s what made it such a wonderful job. There were so many ways I was able to help people that had nothing to do with the post-office business.”

About 1937, the Tuckers moved postal headquarters to a one-story white-frame building with a small porch. When the highway through Christmas was widened to four lanes, that 1937 post office was moved from the south side of the road to the north side, where it still resides in a peace garden at Colonial Drive (S.R. 50) and Fort Christmas Road.

A mosaic at the peace garden in Christmas, Florida. It’s on State Road 50, about 20 miles east of Orlando.

Asked what he would most like folks to know about the community of Christmas, Cecil Tucker didn’t mention his family, often called “legendary” in Florida ranching lore. In a state where people consider themselves old-timers if they’ve been here since 1960, the Tuckers have a hundred years on them.

For him, his family’s legacy is all about the spirit of Christmas, in both global and local aspects.

“This community has a spirit of helping each other,” Tucker said. “If any place has the Christmas spirit, this is it.”

Christmas, and the Fort Christmas Historical Museum, is 20 miles east of Orlando, en route to Kennedy Space Center, Merritt Island National Wildlife Refuge, and Canaveral National Seashore in Titusville. See http://www.nbbd.com/godo/FortChristmas/

To Bedford Falls, with love

Posted on December 24, 2013 by Joy Wallace Dickinson

Piper Rae Patterson as radio actress Sally Applewhite in Orlando Shakes's "It's a Wonderful Life: A Live Radio Play." (BroadwayWorld.com)

Piper Rae Patterson as radio actress Sally Applewhite in the Orlando Shakespeare Theater’s “It’s a Wonderful Life: A Live Radio Play.” (BroadwayWorld.com)

I haven’t watched the 1946 movie “It’s a Wonderful Life” for years. There’s a lot to do around the holidays and it’s more than two hours long – and, besides, the part where befuddled Uncle Billy (Thomas Mitchell) makes a big mistake and the frantic George Bailey calls him “a silly stupid old man” – that part always makes me sad.

Like Uncle Billy, I tend to lose things.

So I’m grateful to the Orlando Shakespeare Theater, and its production of “It’s a Wonderful Life: A Live Radio Play,” for reminding me of the essence of this story – of how one hard-working man, George Bailey, gets to see how life would have been different without him in Bedford Falls.

In this 1940s “radio play,” five skilled actors portray more than 40 different characters and bring us the essence of the story and of the time, just after World War II. The actress Suzanne O’Donnell, for example, gives voice to characters ranging from Violet, the bad girl of Bedford Falls, to Bailey’s little daughter Zuzu and to his mother, Ma Bailey, played in the movie by Beulah Bondi.

Bert (Ward Bond, left) and Ernie (Frank Faylen) in Frank Capra’s “It’s a Wonderful Life” (1946).

This “radio play” helped me see the story with fresh eyes and remember the characters, from mean Mr. Potter to the original Bert and Ernie, who serenade George and Mary Bailey on their wedding night with the old song “I love you truly.”

Capra-corn? My “sophisticated” younger self probably thought so. But there’s so much to this piece of true Americana and the history of our reactions to it. As the good Wikipedia article on the movie notes, a 1947 FBI memo even suggested that Capra represented “Communist” values and the movie “deliberately maligned the upper class” by “attempting to show the people who had money were mean and despicable characters.”

Thomas Mitchell as befuddled Uncle Billy. It’s all OK in the end.

Maybe this kind of popular movie is as close to a shared secular mythology as we Americans have – that is, a meaningful story in which audience members of varied ages know the characters and many lines and can experience meaning by watching or hearing it together.

We may know the outcome, but the story still moves us, brings its lessons home, including the thought that “no man is a failure who has friends.” And that includes Uncle Billy, too.

For more on the Orlando Shakespeare Theater, visit http://www.OrlandoShakes.org

A window on home-grown art and real Christmas cheer

Posted on December 22, 2013 by Joy Wallace Dickinson

Hand-painted wreaths by artist Donna Miniere greet customers at Jon’s Cleaners in Orlando, Dec. 20, 2013.

Round red berries nestled in holly. Jolly elves and jaunty snowmen. In a time when most Christmas decorations bristle with made-in-China tinsel, some small businesses cling to a homemade holiday spirit with hand-painted windows.

I once watched Donna Miniere, a master of the art, at work at Jon’s Cleaners on East Michigan Street in Orlando. Clad in a red shirt and paint-smeared white overalls, she was dabbing thick paint on the wreaths adorning Jon’s glass doors.

It was great to see Miniere’s handiwork again this year at Jon’s, where owner Jon Scholtens said she’s been painting holiday windows for about 15 years.

When we talked a few years ago, Miniere recalled childhood memories from nearby Blankner Elementary, where she and other children painted snow scenes on the windows at the back of the school.

A painted snowman, seen from inside Christo’s Cafe on Edgewater Drive in Orlando’s College Park.

Brushing on the tempera paint felt like “unbelievable freedom,” Miniere said.

Later, after majoring in environmental studies at Rollins College, she returned to her childhood love of art and became a professional portrait painter.

Many years ago now, when a transient artist began some holiday windows at a business on south Orange and didn’t finish the job, Miniere stepped in to help out, and she’s been painting holiday storefronts ever since.

She sticks to the basics – holly garlands, poinsettias, candy canes, and wreaths – with with some traditional variations for individual shops. As she brushes on the paint, she likes to go as the spirit moves her, working without stencils or patterns.

Miniere has left her signature on her paintings at Jon’s and at Michigan Jewelers next door, but some other painters have left their window artistry unsigned.

Beefy King’s holiday scenes include a jaunty reindeer and fox.

But the paintings they’ve made – including bright candles at LaBelle Furs (one of Orlando’s oldest businesses), smiling snowmen at Christo’s Café in College Park, and a veritable village of creatures at Beefy King on Bumby – carry on a seasonal tradition that Americans have enjoyed for decades.

I love these painted figures, full of energy and fun. As Miniere noted, it’s such a shame when folks have “had art schooled out of them.” Sometimes people will tell you that they can’t draw a straight line. Don’t worry about that. If you want to draw a straight line, get out your ruler. Straight lines aren’t what art is about, as Miniere said: “There aren’t too many of them in nature.”

Windows at Beefy King, where Orlandoans have fortified themselves during Christmas shopping for more than 40 years.

For some of us, this time of year can feel a little heavy, full of reminders of times gone and loved ones we won’t see again, and of how crazy and rushed the season feels.

But it’s hard to feel blue when you’re munching on Beefy spuds and looking through windows where elves gambol amid wacky reindeer. Here’s to our small businesses and the gifts they bring us, now and all year long.

Orange and clove pomanders: Very vintage and aromatic

Posted on December 16, 2013 by Joy Wallace Dickinson

My 1940s directions call for covering fruit with cloves, but others suggest making patterns with the cloves.

My 1940s directions call for covering fruit with wholes cloves, but others suggest arranging the cloves in lines or patterns.

Years ago, our Florida family made pomander balls for holiday gifts: oranges studded en masse with cloves, rolled in spices, and hung from ribbons.

These fragrant fruit-and-spice pomander balls were a time-honored way to add a hint of fragrance to your home, long before companies attempted to manufacture good smells and put them in a spray can.

The Old Farmer’s Almanac says the practice went back as far as medieval times. (http://www.almanac.com/content/seasonal-crafts-how-make-orange-pomanders)

The ladies are discussing “that Oxydol sparkle” on the back of a recipe in Mom’s old book of clippings.

The directions my mother used, clipped from an unidentified magazine, are still taped in the black ledger book where she began to collect recipes and household tips in the 1940s.

They note that the pomanders can also be made with apples, lemons, or limes. We usually used oranges.

The full directions suggest storing the pomander for three or four weeks to dry, but in Florida, the following steps for quick preparation seem best.

1. Spread lots and lots of whole cloves on waxed paper.

2. With a small nail or sturdy toothpick, pierce holes in the skin of the fruit, from one end to the other and as close together as possible without splitting the skin.

3. Now stick whole cloves in the holes. Make additional holes where needed; fill the holes with cloves, so that the fruit is covered with them (or feel free to use less, as picture at top).

Ribbon hangers for a pomander (from Mom’s clipping book).

4. Combine equal amounts of ground cinnamon and powdered orrisroot, or use a mixture of spices with orissroot.

The recipe at Old Farmer’s Almanac suggests 1 teaspoon ground cinnamon, 1 teaspoon ground cloves, 1 tablespoon ground nutmeg, 1 tablespoon allspice, and 1/4 cup powdered orrisroot.

5. Roll the clove-studded fruit in your spices until the fruit is coated. Our 1940s directions suggest using ground cloves with a lemon and ground nutmeg with a lime.

5. After fruit is rolled in the mixture, place in a shallow baking pan and bake at 300 degrees F for 4 hours. Cool.

6. To make a hanger, tie a long narrow ribbon securely around the fruit, making a knot at top. Leave about 4 inches of ribbon for a loop, and tie with ribbon ends with a bow. The 1940s directions suggest wrapping the ball in “metallic mesh or hat veiling, and it’s ready for Santa to deliver.”

I seem to be all out of hat veiling.

The Waterhouse Museum by artist and journalist Thomas Thorspecken. See http://www.analogartistdigitalworld.com/2011/01/maitland-historical-society.html

The orrisroot is the key ingredient, and acts as a fixative. Our directions say to get it from a drugstore, but, like the hat veiling, that’s no longer workable for most of us. A health-food store that sells bulk spices is a better bet.

A few years ago, during a holiday visit to the Waterhouse Museum — a lovely Victorian house in Maitland, Florida — I remembered the pomanders because some were on display, along with other natural crafts.

Even if we don’t make pomander balls, it’s fun to think about them and those rich, natural aromas of citrus and cloves. For more on the Waterhouse, visit http://artandhistory.org/waterhouse-museum/

A taste of Sweden in Sanford

Posted on December 13, 2013 by Joy Wallace Dickinson

Singers at the annual St. Lucia Festival in Sanford, Fla.

Folks who go to the annual St. Lucia Festival in Sanford have a chance to sample some Florida-pioneer culinary treats. (In 2013, it’s December 14; see sanfordstlucia.com.)

I’m not talking grits and gator nuggets – not this time.

Think Swedish coffee, pickled herring, and lingonberries. And glögg (a beverage), cabbage rolls, meatballs, brown beans, maybe something called Jansson’s temptation, a variety of cakes and cookies, and Swedish pickles.

A Swedish coffeepot. Thanks to Patty Sundberg, “From the Deep Quiet.”

Festival coordinator Teri Patterson once told me she is especially fond of the pickles. “You just can’t beat a breakfast buffet that includes Swedish pickles, Swedish coffee and a few Swedish cookies,” she said.

But Patterson’s heritage as the descendant of Swedish immigrants means a lot more to her than good eating. With fellow historians Charlie Carlson and Christine Kinlaw-Best, she has written several publications for the Sanford Historical Society on the area’s Swedish heritage, including “The Swedish History of Seminole County.”

“As far back as I can recall I always enjoyed listening to my family’s stories,” Patterson wrote.

“Many were collected and told so beautifully by my grand-aunt Olga Vihlen Hunter. “In each family there seems to be a person who gathers the facts about their ancestors. These facts remind us of their hardships and successes that have contributed to who we are today.”

New Upsala Presbyterian Church, 1902 (Sanford Museum)

Patterson’s great-grandfather came from Sweden to America and “settled among Swedes in the community of New Upsala,” now in Sanford.

“Over the years this Swedish community has mostly disappeared, . . . but a few remaining historical places remind us of their pioneering past,” she writes.

“These New Upsala Swedes played a major role in developing Central Florida’s great citrus industry.”

Moving victory in Winter Park

Posted on December 11, 2013 by Joy Wallace Dickinson

Half of the historic Capen House rests after its move in Winter Park, Fla., near a statue of Pan at the Albin Polasek Museum and Sculpture Gardens.

By the time I could make it to the shores of Lake Osceola on December 10 to pay my respects, Madame Capen was resting comfortably in her new digs – at least half of her, weighing in at 100 tons.

Earlier in the day, this grand dame of Winter Park homes, age 128, made the journey across Lake Osceola by barge, to rest until a move to a permanent site on the grounds of the Albin Polasek Museum & Sculpture Gardens.

In the late afternoon sun, the house looked right at home amid the bougainvillea and bamboo. Other late arrivals stopped by to snap photos and marvel. A young mother wheeled three youngsters in a triple-seat stroller so they could see a historic happening. One photographer floated in the lake in a kayak to get a good shot. TV trucks lined the driveway of the Polasek, ready for their 5 p.m. broadcasts.

The man who built the house, James Seymour Capen, helped Winter Park begin. When he later looked back on his family’s arrival in 1884, he could list the people who constituted the community then on one page of stationery.

In the decade after the family’s arrival, Capen raised citrus, helped organize the Orlando-Winter Park Railroad Co. – the beloved Dinky line – was secretary of the venerable Winter Park Land Co., and donated land to Rollins, of which he was a trustee in 1887.

An age-worn photo shows the 1885 house surrounded only by pines, with Lake Osceola in the background. The women wear long, Victorian-era dresses. In a display of youth’s timeless spirit, two boys perch on the porch roof.

It’s remarkable for such a house to have survived from 1885, in our hot, wood-wearing climate and our Florida penchant for ever tearing down and building anew. But the Capen House has survived, thanks to care over the generations and a remarkable effort in 2013, when it appeared to be doomed.

Half of the Capen House, adorned by a holiday wreath, weighs 100 tons. December 10, 2013

All fans of preservation have much cause to celebrate and cheer the many who are making this a great example of how to save and reuse our historic buildings.

Those of us who missed seeing the house float have another chance, later this month.

Thanks to the Preservation Capen team, led by Debbie Komanski, executive director of the Polasek Museum, and architectural historian Christine Madrid French, project director along with old house experts Frank Roark (construction manager) and Steve Feller (consulting architect). See http://www.preservationcapen.org and http://www.polasek.org/

Orlando’s really big star

Posted on November 29, 2013 by Joy Wallace Dickinson

The 1950s incarnation of Orlando’s Christmas star

The classic holiday movie “Miracle on 34th Street” (1947) begins with the Macy’s Thanksgiving Day Parade in New York. The movie has always reminded me a bit of Orlando’s two largest downtown stores during the postwar era: Ivey’s and Dickson & Ives. Even if they weren’t as big as the Manhattan Macy’s and Gimbels in the movie, they were of the same genre.

In “Miracle,” Macy’s Santa (Edmund Gwenn) tells a frazzled mom (Thelma Ritter) that she can find the toy she’s seeking at Gimbel’s. As it turns out, shoppers love that spirit of cooperation.

A shopping mother played by Thelma Ritter praises Macy’s Santa in the 1947 “Miracle on 34th Street.”

In Orlando, Ivey’s and Dickson & Ives cooperated too through the big illuminated star that hung between them for the holidays at the city’s core intersection, Orange Avenue at Central Boulevard.

“Two of Orlando’s largest department stores may brood across the avenue at each other all year long. But their combined light shines out at Christmas,” the Orlando Sentinel reported in 1956.

The star debuted the year before, 1955, at a cost of $2,500. It was the brainchild of Dickson & Ives’ owner, Wilson Reed, according to his daughter Peggy Reed Mann, and was the ancestor of the big star that still graces the intersection each year, thanks in large part to the efforts of the late Jack Kazanzas.

In the late 1990s, it looked as though the star might be on its way out. The plexiglass was cracked, city officials said, and repair estimates were prohibitive.

“It just burns me up that everything has to be constantly changing,” Kazanzas said. He had grown up in the Orlando, the child of parents who had a business in the city for 40 years. He knew the downtown star was a powerful symbol for longtime residents, a reminder of the glory days for retail in downtown, before the first malls hit the area in the 1960s.

Orlando’s star with its tiara of lights

In 1998, using glue and glass cleaner, Kazanzas was able to get the star into shape for its annual appearance. He kept on raising money. “I’ve watched Orlando grow and change, and I’d just like to hold on to some of the things I remember for Christmas,” he said.

The star itself — designed by Orlando sign wizard Bob Galler in 1984 — was saved, and the “tiara” of sparkling lights, designed by Orlando’s Cindy White, and added in 2005.

Each year when I see the star, I remember the stores that once surrounded it, and I remember Jack, who died in August 2010. The star now officially bears his name, and news reports of its annual appearance note that the Jack Kazanzas star once again is with us for the holidays.

Jack Kazanzas in 2009 (courtesy of Rob Smith Jr.)

In “Miracle on 34th Street,” Santa Claus, played by Edmund Gwenn, works in a department store. Kazanzas loved to wear an elf hat as he served coffee and bagels to OUC workers and fans of the star on the early Sunday morning each year when it was returned to its annual place. He had that same magical “Miracle” spirit. And he showed that with enough caring and effort, we surely don’t have to lose everything from the past we hold dear.

To Old Florida and Beyond

Posted on September 21, 2013 by Joy Wallace Dickinson

Joy Wallace Dickinson (left) with grandparents Bill and Alice Wallace and the truck for the family's new business, the B&D Market in Winter Park.

Joy Wallace Dickinson (left) about 1950 with grandparents Bill and Alice Wallace and the truck for the family’s new business, the B&D Market in Winter Park.

Welcome! If your memories or interests include sandy beaches, orange blossoms, and all that’s old and “real” Florida, I hope you’ll find this a fun, interesting spot to perch every so often in your travels across the vast, astonishing worldwide web.

I love writing about Central Florida’s past, and my heart remains there, even when I wander. Right now, I’ve wandered on a visit to California, where I once lived.

I’ve been reunited with three dear women friends to celebrated friendships forged more than 50 years ago, at Orlando’s Howard Junior High School. My ties to one of these friends, Debbie Staton Cook, reach back to a bond forged between our families in the 1940s when her uncle, Ted Staton, sold my grandparents the house in which I now live.

We four have talked a lot about how our youth in Orlando shaped our lives: about the teachers who inspired us, about good times at the Central Florida Fair, playing records at Bill Baer’s on Orange Avenue, about trips to the beach, about listening to our teacher read us The Lion’s Paw in elementary school. And yes, we’ve probably talked, too, about the pumpernickel rolls at Ronnie’s restaurant.

I carry my Central Florida past with me wherever I wander.

Joy Dickinson’s 2012 painting of Orlando’s Spanish Mission Train Station used a vintage postcard for inspiration. (Credit: Joy Wallace Dickinson)

I admire folks whose roots go deep into Florida’s sand, and I cherish too my heritage as one whose family came from the North, from the steel country of Pennsylvania. My father and grandparents traveled in my granddad’s woodie station wagon, but my mother and I journeyed by train and arrived at the Sligh Boulevard station. Modeled on the missions of California, this 1920s station remains my most-loved Orlando building.

Especially for my grandfather, Bill Wallace, Orlando was truly a city of dreams. Back in Pennsylvania when I was a small child, he often asked me, “Now, where are you going to go to college?” And I would respond with the much-rehearsed, “University of Florida.” In the end, my college was Florida State, but it was all the same to him. It was in Florida, his final and best-loved home. May we never forget its history, including the parts that may be difficult to embrace and understand.

Vintage roadside signs, including the iconic jaws at Orlando’s Gatorland, are among the topics that inspire Joy in Florida. (Credit: Joy Wallace Dickinson)

In this space, my goal is to embrace my name (not always easy) and focus on what’s joyful in Florida and beyond. We’ll probably venture into wide-ranging subjects including travel as a single, older woman; books, especially cozy mysteries; Florida-related art and pop culture; vintage roadside signs and other uses of typography; Orlando’s historic Lake Eola Park; the other sunshine state, California, so like and so different from Florida; writing tips and inspiration; and the occasional historic or family recipe. And maybe even coffee. This is one writer who is fueled by coffee. Let’s have a cup. I’m so happy you’re here.

Finding Joy in Florida

Searching the Past, Present, and In Between the Lines

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